Daughters of Nantucket by Julie Gerstenblatt
It is publication week for Julie Gerstenblatt for her debut
novel, The Daughters of Nantucket. It is a historical novel about the power of
strength. Thank you to the publisher, MIRA books for inviting me to be part of this book tour.
About the Book:
Nantucket in 1846 is an island set apart not just by its
geography but by its unique circumstances. With their menfolk away at sea,
often for years at a time, women here know a rare independence—and the
challenges that go with it.
Eliza Macy is struggling to conceal her financial trouble as she waits for her whaling captain husband to return from a voyage. In desperation, she turns against her progressive ideals and targets Meg Wright, a pregnant free Black woman trying to relocate her store to Main Street. Meanwhile, astronomer Maria Mitchell loves running Nantucket’s Atheneum and spending her nights observing the stars, yet she fears
revealing the secret wishes of her heart.
On a sweltering July night, a massive fire breaks out in town, quickly kindled by the densely packed wooden buildings. With everything they possess now threatened, these three very different women are forced to reevaluate their priorities and decide what to save, what to let go and what kind of life to rebuild from the ashes of the past.
Excerpt:
ONE WEEK BEFORE THE FIRE
Monday, July 6, 1846
ELIZA
IN
THE HEAT of summer, gossip spreads through Nantucket town like wildfire.
Everyone on the island knows that, including Eliza Macy.
Usually, Eliza enjoys the chatter of the women in town, the way her neighbors
walk and talk with baskets of goods on their arms as they exchange tales along
the busy, brick-paved and cobbled streets that lead to the harbor, where
thousands of kegs of oil wait to be processed and shipped. Usually, she’s very
much a part of that very chitchat. On any given Monday, she might lean in close
over a barrel of grain at Adams and Parker as so-and-so says such-and-such
about you-know-who. And although she’s not proud of it, Eliza has been known to
follow a small cluster of ladies out of Hannah Hamblin’s candy store on
Petticoat Row just to catch the end of a particularly juicy tidbit about a
Starbuck or a Coffin, prominent families on the island, even if she hasn’t yet
purchased the black licorice whips she came in for. But today turns out to be
anything but an ordinary Monday, which is why Eliza isn’t out socializing in
town.
The morning begins with
a vexing conversation with her husband Henry in the kitchen of their stately
Colonial home on Upper Main Street.
“But, what do you mean, Henry? How can you possibly stay out at
sea when we need you here at home?” Eliza asks. There is no answer. Eliza
continues. “I just wish you would be clearer in your intentions. Less obtuse.
It can be so very frustrating to be married to you!”
Well, not a
“conversation,” exactly. How can one possibly be speaking with one’s husband
when he has been off at sea for almost four years? Conversations exist mostly
in her mind—and when she’s really annoyed, aloud—in a pretend dialogue with an
absentee man. In reality, these conversations are monologues, long letters sent
back and forth across the globe. Delayed worries and emotions so stale that by
the time they get a response, Eliza’s concerns have moved on to something else
entirely. In a letter, Henry will present a solution to a problem three months
old—the leak in the roof Eliza has since gotten fixed, the seasonal cold that
one of their twin daughters Mattie has recovered from—and think he is being
helpful! And so Eliza thanks her husband of twenty years for his thoughtful
ideas and lets him believe anything he says from the Pacific Ocean is
meaningful to her everyday existence. Then she tells him what she really thinks
from her kitchen. Alone.
The letter from Henry she receives this morning, by way of a
sailor passing through to Nova Scotia, is one such missive. On folded
parchment, in his slanting script, Henry informs Eliza of his new plans. She
reads the line aloud to herself, imagining Henry’s deep baritone filling their
home. “Although I promised to be back on Nantucket this summer, my love, this
trip has been delayed due to unforeseen complications,” his letter says.
Eliza is trying to enjoy
a cup of tea, while sitting at the small table tucked under the windows in a
corner of their bright kitchen. The tea tastes bland and watery, for she is
trying to conserve sugar. And tea leaves. She reaches to the wooden shelf on
the wall beside her, locating the dark glass bottle of laudanum, and adds a
dash or two of the powder into her china cup. She closes her eyes and holds the
bitter liquid in her mouth for a second to let it cool before swallowing.
There. The hot tea is surprisingly refreshing as she gulps it down, one quick
sip after another, knowing the medicine will do the trick and ease whatever
ails her. Nerves. Loneliness. Headache. Heartburn. Three to four times a day,
the dosage on the vial suggests. Better to take more than less, to ensure
effectiveness. It’s readily available on the island, so Eliza can always get
more at the apothecary when she runs out.
She reads the letter again.
“What unforeseen complications, Henry? Please do tell!”
Henry doesn’t specify, leaving her confused. What else is there
possibly to do at sea but catch and kill whales, dismantle them by means
of stinking, gory masculinity, and turn the massive mammals into profits? Isn’t
that what the captain of a whaling ship does, for goodness’ sake? Grow
his whiskers long and bark at his crew and risk life and limb in pursuit of
oil?
He says only that he’s
reached the port of New Orleans and not to worry.
A puzzle. Apart from the obvious annoyances this letter
implies—that she and her children, who haven’t seen Henry for forty-plus
months, will have to wait even longer for his presence—is the practical impact
that delayed return will have. For Eliza Macy, on dry land, is out of household
money. And, until Henry’s ship comes in, weighed down with its hundreds of barrels
of oil, albeit liquid gold (God willing!), no more money is to be found. She
has gotten used to trading candles for goods and services, but now she is even
running low on them.
Eliza takes a break from
her worries by calling out to her twins, getting ready for the day in their
bedroom above the kitchen. “Girls! Breakfast! School!”
“Five more minutes, Mother!” one daughter calls down the stairs.
“Where is my satin hair ribbon?” the other yell-asks.
Sixteen-year-old identical twin girls. Eliza goes to the front
hall where the acoustics are better for shouting, and aims her voice up the
grand staircase. “Girls, you know I cannot tell your voices apart unless you
are standing before me. I found a hair ribbon on the floor last night, but
couldn’t see the color. It’s on my nightstand.”
Footfalls above. Then, “I don’t see it. Let’s just go to Jones’s
Mercantile after school and buy new bows.” It’s Rachel. The girl peeks her head
through the spindles in the banister.
“Oooo, that’s
a lovely idea!” Mattie says, right beside her sister. “And then we can shop for
summer dresses. Maybe something new for our upcoming birthday?”
“Maybe,” Eliza concedes.
Although she knows there’s no way they’ll be doing that. She must keep her
entitled daughters away from the mercantile! As the girls finish getting ready
upstairs, Eliza heads into the kitchen to avoid hearing them. With a small
knife, Eliza cuts an apple into very thin slices and divides them onto two
china plates with a slice of buttered bread.
Until Henry’s ship comes in, their wealth is all theoretical,
their profits floating in wooden barrels at sea. Eliza has no money on hand
with which to pay for flour or cornmeal or music lessons. No coins for bolts of
silk and wool to make party dresses for their sixteen-year-old twin daughters
about to enter society. Just ink and a quill to write Henry’s name on a black
line in a leather-bound book at the dry goods store and the doctor’s office, to
record what the Macys owe and what they will pay back when his ship the Ithaca
returns.
But when will the Ithaca return?
The rant that follows is
also one-sided, as Eliza paces the kitchen alone, letter in hand, responding to
Henry, her frustration causing her to speak much louder than she should. Keep
your voice down, Eliza, she scolds herself, a reminder that Rachel and
Mattie are probably listening in from the grand staircase in the hall.
Eliza takes a last sip of tea, her arms tingling with vague
numbness caused by the powder she’s added, as her mind fills with a pleasant
fog. She pops the apple core into her mouth and chews. The twin girls enter the
kitchen, both starving, not understanding why they can’t have eggs and hash
and corn fritters for their breakfast. After all, they have to walk to
school, and they can’t very well learn while their stomachs grumble, can they?
Eliza does her best to appease their appetites while not arousing their
suspicion that something might be amiss.
But one quick glance between
the twins—with identical pale blue eyes like their father’s—is all it takes for
Eliza to know that they are alert to her every move. It’s probably too late for
her to continue pretending all is fine when it isn’t. But keeping the girls
calm and happy while their father is Lord Knows Where with a harpoon in his
grasp has been her job for their entire lives, and she’s not about to shirk her
responsibilities now. Better her girls be left in quiet darkness than to deal
with the harsh light of day, that’s Eliza’s parenting motto. There’s only so
much a girl needs to know.
And so Eliza lies. “I’m just so busy with house chores, I
haven’t had a moment to get to the grocer. You’ll help me later with the last
of the housework after school, won’t you? Then maybe we can talk about the
mercantile for another day.”
The girls roll their eyes but nod that yes, they will. Then up
and out they go. How Eliza has managed to raise such idle creatures, she’ll
never know. At least Alice, the oldest of the three Macy daughters, has some
ambition. But then again, Alice isn’t actually hers. She is Henry’s daughter
with his first wife.
Eliza gathers together
items for a package she’s been planning to send to Henry, adding a new note to
the parcel. She tries to be measured in her response, although the point of her
quill scratches through the parchment twice. She is frustrated by the miles and
miles of time, oceans of time, between his words and her retort.
Eliza then spends the rest of the morning alone, washing dishes,
changing and cleaning bed linens, dusting the wooden staircase, darning old
stockings, and polishing the silver set that belonged to Henry’s mother in
anticipation of having to sell it. It used to sit atop a beautiful mahogany
sideboard, but Eliza sold that piece six months ago for cash to run the house.
Now she keeps the silver in a cupboard. Out of sight, out of mind, as the
saying goes. That way, when she sells it soon, she won’t miss it.
A sparse and unfulfilling lunch follows, stale brown bread with
thin jam in the silence of her now clean kitchen. In these moments she misses
her former housekeeper, Mrs. Charles, terribly. For her elbow grease,
certainly, but even more so for the pleasant conversation. Eliza reads Henry’s
letter again over a second cup of tea. Then she sees clearly what she must do
next, in response to Henry’s delay. She has no choice.
Excerpted from Daughters of Nantucket.
Copyright © 2023 by Julie Gerstenblatt. Published by MIRA Books.
About the Author:
Julie Gerstenblatt holds a doctorate in education in Curriculum and Instruction from Teachers College, Columbia University. Her essays have appeared in The Huffington Post, Grown & Flown, and Cognoscenti, among others. When not writing, Julie is a college essay coach, as well as a producer and on-air host for A Mighty Blaze. A native New Yorker, Julie now lives in coastal Rhode Island with her family and one very smart shichon poo.
Keep in touch on social
media:
Author Website: https://www.juliegerstenblatt.com/
Facebook: https://www.facebook.com/Juliegerstenblattauthor
Instagram: https://www.instagram.com/juliegerstenblatt/
Comments
Post a Comment